Simon Norfolk

Simon Norfolk - Security Guard's Booth at the Ikhtyaruddin Citadel in Herat

Security Guard's Booth at the Ikhtyaruddin Citadel in Herat
© Simon Norfolk

Simon Norfolk

Archival Pigment Print. From an edition of 7

40x53"

Simon Norfolk - Security Guard's Booth at the Ikhtyaruddin Citadel in Herat Simon Norfolk - Refugees from fighting between NATO and the Taliban in Nangahar province,  close to the Pakistan border. Kabul, 2010 Simon Norfolk - A dumping ground for an abandoned Russian-era bomber that has now been incorporated into the car park of ‘Shamshad TV’, a new media company supported heavily by American money. Kabul, 2010 Simon Norfolk - The former home of Jangalak Industries, Kabul, 2010 Simon Norfolk - Yards supplying construction materials in the Nawabadi Guzargah district of Kabul, overlooked by American-controlled electronic eavesdropping equipment on the summit of Kohe Asmai. Kabul, 2010 Simon Norfolk - The entrance to one of the wedding halls at the Sham-e-Paris Wedding Complex. Kabul, 2010 Simon Norfolk - Jaw Aka Faizal Nahman and his daughter Nono from Bamiyan province, now  living in an improvised plastic shelter in the ruined gardens of Darulaman  Palace. Kabul, 2010 Simon Norfolk - Some of the property development taking place in the Karte Char Chateh district, Kabul, 2010 Simon Norfolk - A newly established Afghan National Army camp, close to the massive NATO base at Kandahar Air Field, 2011 Simon Norfolk - A view of Kabul City from Bala Burj, 2011 Simon Norfolk - Shah-do-Shamshira Mosque, Kabul, 2010 Simon Norfolk - Ferris wheel on wasteland in the Mikrorayon housing complex built during the Soviet era, Kabul, 2010 Simon Norfolk - A Shia cemetery on the flanks of Kohe Asmai. Kabul, 2011 Simon Norfolk - The Museum of the Jihad, Herat. A diorama illustrating the city rising  up against the Soviets. Herat, 2010 Simon Norfolk - A cell-phone booster station built on the wreckage of buildings that once housed a market, Kabul, 2010

Simon was born in Lagos, Nigeria in 1963 and educated in England finishing at Oxford and Bristol Universities with a degree in Philosophy and Sociology. After Leaving the Documentary Photography course in Newport, South Wales he worked for far-left publications specializing in work on anti-racist activities and fascist groups, in particular the British national Party. In 1994 he gave up photojournalism in favour of landscape photography.

His book “For Most of it I Have No Words: Genocide, Landscape, Memory” about the places that have witnesses genocide was published in 1998 to wide approval. The work was exhibited at many venues including the Imperial War Museum in London, the Nederlands Foto Instituut and the Holocaust Museum in Houston. The work produced during the war in Afghanistan in 2001, published as 'Afghanistan: chronotopia' was very well received. It won the European Publisher's Award, an award from the Foreign Press Club of America and was nominated for the Citibank Prize. It was published in five languages and is now in its second edition. There have been more than 20 solo exhibitions of the work.

In 2004 Simon won The Infinity Award from the ICP in New York and in 2005 Le Prix Dialogue in Arles. His most recent book 'Bleed' about the aftermath of the war in Bosnia, was published in 2005. His work appears regularly in the New York Times Magazine and the Guardian Weekend.

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